Goddess of Love Book Cover

Goddess of Love


A Mystery Novel


Book 3 of the Nightingale Trilogy Series


Subgenres:

  • LGBTQ+ Mystery,
  • Historical Mystery,
  • Psychological Suspense
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This book is for you if you're into...

  • Murder mysteries fueled by old secrets and literary mind games
  • Estranged friends forced together by inheritance and deadly threats
  • Queer stories where love and danger are inseparable
Publisher Description

Some inheritances you can't refuse. Some killers you can't outrun. Some passions you can't bury.

Washington, D.C., September 1964. Judy Nightingale and Philippa Dolittle, née Watson, were once each other's whole world. They haven't spoken in years. Then Judy's latest novel, The Savage Kind, drags their shared past into public view and forces an uneasy reunion.

Then comes the shock: Judy's estranged birth mother—the woman who once tried to poison them both—has died, leaving her everything. A house. A fortune. A staff that watches too closely. Soon after, letters begin arriving, each signed "Mother" and enclosing pages from Judy's long-lost radio play, "Frankenstein's Sister." Warnings of revenge from beyond the grave.

The warnings turn real. After a dinner party thick with old grievances, a guest is dead, and Judy's Mercedes is found in a ravine, its brake line cut. Judy is the intended victim.

She turns to the only person who ever truly understood her: Philippa, now married with a child, her past buried beneath a life she has worked hard not to examine. Together they follow the letters back toward everything they never resolved and toward a killer who has been patient for a very long time . . . and still writing letters.

Queer, suspenseful, and deeply seductive, this is a murder mystery where love is both the most powerful weapon—and the deadliest risk.

Author Image with John Copenhaver

I write historical mysteries set in the late 1940s and early 1950s ... each book is a blend of historical fiction and mystery, often with a puzzle at its core. The narratives also carry a strong feminist and queer perspective, offering a unique lens on the genre.

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