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Marble Hall Murders
A Cozy Mystery Novel by Anthony Horowitz
Book 3 of the Magpie Murders Series
Subgenres:
- Metafiction,
- Golden Age Mystery Homage
This book is for you if you're into...
- Metafictional mysteries where fiction and reality blur dangerously
- Classic manor house whodunnits with modern, self-aware twists
- Stories where clues are hidden inside another book
From Little Stack
Anthony Horowitz’s Marble Hall Murders is the kind of mystery that makes you feel like you’ve stepped straight into a gleaming, old-school manor house, only to find the doors locked, the lights flickering, and a killer who’s always one clever move ahead.
Horowitz mixes classic whodunnit charm with razor-sharp modern twists, delivering a puzzle so intricately designed you can hear the gears turning as you read. Every suspect oozes motive, every room hides a secret, and every clue dares you to shout, “Aha!”... right before Horowitz pulls the rug out from under you.
If you love mysteries that feel elegant, wickedly clever, and just self-aware enough to wink at the genre’s golden age, Marble Hall Murders is the perfect book to devour in one delicious, twisty binge and one of the year’s best.
Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland.
Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered—by poison.
To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book.
Desperately, Susan tries to prevent Eliot from putting himself in harm's way—but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect.
Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.
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